#WriteTip: How to Approach Editor’s Notes
On November 26, 2018 by kristinaI am asked – often – how to deal with editor’s notes. Whether they are big-picture, copyediting notes, or a mix of both. It’s a good question, especially because the first few times through an edit can be daunting. Do you change everything the editor asks about? Nothing? Somewhere in between? How do you know how Change A will impact the midpoint of the book? What about the Black Moment?
The simple answer is this: every little change you make will change following aspects of the book in ways you can’t know. Some changes will improve your writing voice, some will alter the overall story, some will create stronger characterization. How you approach these edits is, of course, up to you, which is why I asked a few friends to weigh in on how they approach editor’s notes. Here we go:
Heatherly Bell, author of The Wilder Sisters Series
I approach my editor feedback like a big girl. Usually I will read through the editing notes first. Then I’ll read through the MS and all the comments which takes me about a day. I take a day to digest it. After that, if something still doesn’t ring true to me, I’ll make my own note in the comments next to hers. I’ll try to explain, for instance, why my hero has been deeply affected by such and such. Or I’ll explain why this or that makes sense to my heroine.
Occasionally, if I’m confused by a comment, though I’m always able to email and ask, I find I usually “get it” a day later. Most of the time, my editor’s notes are spot-on! Maybe I’m lucky, I don’t know. But they always seem to pinpoint those areas where I know I need to dig deeper. Why does this matter? Why does my character care so deeply about it?
Or in the instance of my latest proposal, when my editor said: this ending doesn’t work for me! To be honest, it didn’t work for me either, so it was just confirmation I needed to re-work that ending. My Harlequin editors are wonderful. They never try to squelch my voice. They just want to make sure I’ve gone as deep as I can and they’re right most of the time.
Nan Reinhardt, author of the Four Irish Brothers Winery series
After the initial feeling of overwhelm, I try to remember what my editor says, “Sometimes you just need to change or add a sentence or two, or even just a word or two. Turns out with the latest WIP, I ended up adding an entire chapter and an epilogue, but it did make the book better, no question.
Claire McEwen, author of Sleigh Bells in the Snow
I always find feedback a little bit terrifying. So as soon as I get it, I read through it once, then put it away. I’ll then spend a day or two just sort of processing the general ideas included in the feedback. Once I get used to them, I’ll go back through the feedback in detail and make notes about how I plan to address it.
I believe that my agent and editor know what they are doing, that they can see things I can’t because they have more distance
from the story, and that their feedback will make my story stronger. I think it’s important to let go of my ego and really take their advice with an open mind and heart. I’m saying this because I have met authors who seem very suspicious of feedback and don’t seem to want to take it.
I would offer this advice. If you don’t agree with the editor or agent’s specific suggestions, try to think about what they are saying in general. I recently had an experience where the editor wanted me to strengthen the conflict, but her ideas about how to do that just weren’t resonating with me. They were good ideas, but they didn’t speak tomy heart. It took a few days of thinking really, really hard, but then I had a big ‘aha’ moment. I changed the entire backstory of my hero and heroine and upped the conflict significantly, in a way that satisfied both the editor and me.
Liz Flaherty, author of The Dark Horse
Here’s where I’m a Weird Person. I love the feedback even when I hate it, because then I know what he wants rather than guessing at it. If I’m hoping to sell the story, I have to be willing to share ownership of it. This isn’t always easy, and I’ve made changes that to this day I think were mistakes. However, at the end of the day, he’s the editor and I’m not, and the publisher still signs my checks.
There you have it, friends, a few new ways you can approach editor feedback – to make your book the best it can be. If you have another tip, share in the comments!
#WriteTip: How to Approach Edits
On October 1, 2018 by kristinaWow, it’s a new month and I’m here posting on a brand new day! There’s a reason for that: a couple of group blogs that I’m involved with are changing up their posting schedule, which prompted a change to my blog’s schedule. Starting today (and how apropos that this is actually starting on the first day of a new month?), I’ll be posting every Monday here.
Today’s post is part of my #howwedo series, in which I ask a few author friends how they approach different parts of the writing life, from brainstorming a story concept to that final round of edits. I started this series because of the most-often asked questions writers get is how do you _____. And what I’ve found over my years in publishing is that there is no one approach to anything in this business. I think it can be incredibly helpful to see the various ways that different authors approach aspects of their career because we may be able to grab a little nugget of something Writer A does and adapt it into our own processes. So, without further ado, How We Do: Self-Edits.
What is a self-edit? It’s that round of edits we do to polish our manuscripts before sending to our agent/editor/hopeful-publisher.
My approach is first a quick-hit with my grammar program because I have a serious problem with commas thanks to my years in TV journalism when we used commas to “tell” the anchors where to pause. This also helps me find obvious typos and the occasional run-on/wordy sentence. Then, I save the manuscript as a PDF and put it on my iPad Pro, so that I can read through and mark it up using my Apple Pencil. From there, it’s as simple an inputting those changes and sending off to my agent.
But you don’t just want to hear from me. Here’s what my friend, Nan Reinhardt (who happens to be a super-talented author and editor), has to say. “I start with whatever my Betas have discovered—typos, time line issues, name problems, etc. and fix those. Then I put it on my Kindle and read the whole manuscript that way, making notes the entire time. Then I run it through an editing program I have—one that I use when I’m editing other people’s work. After that, one last spell check before I finally send it off. This last time, I knew the heroine could have been fully developed, but I was running short on time, so I sent it off with a hint of doubt. Sure enough, my editor loved everything about the story, except she thought the heroine needed fleshing out. I think most writers have a gut feeling about their stories when they finish a first draft.”
Author Claire McEwen wrote for Harlequin’s Superromance line with me, and we did a fab multi-author novella collection, based on our different Superromance series. She now writes for Harlequin’s Heartwarming line and says, “If at all possible, I like to take a break from the manuscript before I try to revise or edit. It is amazing what I can see if I have a few days off from the pages! So I set my writing schedule up to accommodate this. For example, right now I’m writing the first draft of a contracted book. I plan to finish the draft in the next few weeks, then set it aside. I’ll spend the next few weeks working on a proposal for another book. Then I’ll go back to my draft and revise and edit before I send it off to the editor.”
My friend Liz Flaherty has written for Harlequin’s Special Edition as well as Heartwarming line, and her approach to editing is so on-point because Liz believes that you have to own the book and story you’re telling. “I type it as clean as I can, my friend Nan Reinhardt—who, blessedly enough, IS an editor—then gives it a read. I fix or I don’t, depending on what she tells me <g>, then it’s off to my editor. If I were newer, or not published, I’m not sure how I’d do it.”
There you have it, writers, 4 approaches to editing that I hope will help you develop a system of your own. Next time, our #howwedo will deal with approaching editor feedback. Stay tuned!
Oh, and since it’s the first of the month, how about we do some goals? I know I am much more likely to accomplish my goals if I tell people about them. So…here we go. Kristina’s 3 October Goals:
- Track my meals Monday – Friday, and create a workout schedule. I have a plethora of workout videos, a running/interval program on my phone, and a number of WiiU fitness games. The problem is that I can sometimes put off a workout because I can’t decide what to do. So, like my buddy Jill is doing, I’m going to create a rotating schedule of Monday-Friday workouts, put them in my planner and then it’s as simple as loading the DVD (or going outside) and checking off that list item!
- Finish writing a novella for an indie-continuity project that releases early next year. The books are light-hearted, sweet romances, set in the Caribbean (y’all know how I love a beach!) and I can’t wait to share more with you.
- Create a “themed” schedule. Even though I’m a full-time writer, I don’t write from 8am – 4pm; I can’t, as much as I want to. But, I also waste some of the time I have when bebe is at school. So, I’m creating a block schedule in which certain times of the day are for writing and others are “themed” – like for professional development, content/social media creation, “me” time. You get the idea. I’ll let you know how I like this block schedule.
- Do a final revision pass once I get a project back from my agent this month. It’s something I’ve been working on for a while and I’m so excited about it but it’s been such a HARD book to write!! This is my final goal of the month because I don’t know when I’ll get her comments back and I’m not sure how many changes will be needed…so this goal may bleed into November.
Do you have a goal or two for the month?
Office Hack: Easel Hangars
On September 21, 2018 by kristinaY’all know my penchant for office supplies by now – planners and pens and notebooks and folders. These are functional, basic office items. I also have a basic, functional office because it doubles as a guest room when we have friends or family come in to stay with us for a while. But, just because my office needs to function well (for me and for guests) doesn’t mean it has to be boring or ugly.
Part of what I love about office supplies is the sheer variety. Sure there are plain manila folders and basic yellow #2 pencils and you can get a 24 pack of basic black Bic’s. But, you don’t have to. When I was redoing my office a couple of years ago I looked at all the office supplies I have – a myriad of colored pens and pencils, folders with designs and images on them, notebooks repurposed from old planner pages. I wanted to give my basic, functional office pops of color so I decided to use my folders and notebooks and yes pens as part of the decor.
Today, I’m going to show you how I created a folder filing system that isn’t one of the those yucky, gray things that hang on walls in office buildings. Here’s what you need:
3-4 small easels for pictures
3-4 of your favorite folders
Command hangars
Find a place on your wall or the side of a bookcase (like I did!). Place 2 Command hangars side by side but about 3″ apart. Next, hang your easel upside down, so the “V” shape is ope toward the ceiling and the “lip” is pointed toward you. Go up the wall or bookcase about 6″ and repeat for the second easel and continue on like this until you’ve hanged each easel. Now put your folders there and, voila!, you have hacked your office and made your pretty folders part of the decor!
For additional functionality, you could add a pretty binder clip to the “lip” of each easel to create a label. I don’t do this because I label each of my folders, which takes care of me knowing what they’re for. Also, I keep my most urgent (as in have a deadline of 1-2 months) in the bottom easel, things that have a bit more time in the middle, and the top easel is for story ideas and future projects (things that don’t have a deadline just yet).
One more tip: I always find the best (prettiest!) folders at Target, but the easels and Command hangars I picked up at our local dollar store – for the rock-bottom price of $5 total…making this also a very economical office hack!
What do you like best about your home office?
#WriteTip: Getting Into the Habit
On August 24, 2018 by kristina
Habit. It kind of sounds like a bad word…probably because for most of our lives we’re told we need to “break that bad habit”. Be that habit smoking or drinking too much soda or indulging in a candy bar once too often.
One thing I’ve learned over time: it’s much easier to learn a bad habit than it is a good one. I think because the bad habits can be so fun – I mean, who doesn’t want to spend a day in the pool rather than at the office? Who doesn’t want another slice of Chocolate Decadance or one more drink of that mojito? We’re human. We like the things that, in many cases, aren’t great for us.
According to Mr. Webster, an habit is “a behavior pattern regularly followed until it has become almost involuntary”. In other words, a habit is a learned behavior, and it doesn’t have to be a bad learned behavior.
I think the key to creating any habit is to begin by looking at it as a positive rather than a negative. Instead of “I can never eat chocolate again” look at it as “I’m going to enjoy one slice of the best chocolate cake ever and I’m going to enjoy every second of it”. Instead of “I can never laze in the pool on a hot summer day!” think “I’m going to meet __(goal)__ before I laze in the pool this afternoon”.
Y’all know I love my planner – it’s so much easier to have a list of to-dos and deadlines and expectations and family events all in one place that I can keep track of. But, another thing I do is track my habits – the good and the bad. Up above you’ll see the habit tracker I created for 2018 (feel free to download my Habit Tracker and other printables for writers here). I don’t fill it out every month, but I do find it helpful to use it every couple of months, just to make sure I’m doing the things I need to be doing – like exercise, like drinking enough water, like making my bed time. I’m happier, in general, when those things are going well, and I’m more likely to follow through on work goals when I’m also meeting my personal/health goals.
Here’s a copy of the tracker so far for August. Making those checkmarks is very satisfying…and as you can see, I’m not perfect. I haven’t been tracking my meals like I should (which is probably why, even though I’m hitting my bed time goal, I’m still feeling a little tired and “off”). But, now I can see where I’m not being the best me I can be (as bebe’s teacher liked to say in 4th grade), and I know how I can make a small change to start feeling better, in general.
Have you tried tracking your habits? Did it work for you? Share in the comments!